The following text is my transcription of the War of 1812 US Army Register of Enlistments, 1798-1914, listing some with the surname of Adams.
51: Adams, Abijah, Private
Organization: 30 US Infy; Captain Spencer; Col. Elias Fasset
Description: 5’10” or 5’9”; blue eyes; brown hair; dark complexion
Age: 28 or 20
Birth Place: Killington or Killingsly, Windham Co., Conn.
Enlistment Date: Apl 4 1814
Enlistment Place: Addison or Bridport, Addison Co., Virginia
Enlisted By: Lt. Myrick
Enlistment Period: War
Remarks: D.R. Burlington, Vt. May 31st 1814, M.R. June 30/14, present, Capt. Wm Millers Co. Book 1813 to 1815. Present Dec. 1814 – D.R. Feby 16, JR Burlington, Feby 28, April 30 M.R. June-1815. Present – Certif. dated Plattsburgh, June 15 1815 – Book 555 – Discharged at Plattsburgh or Champlain Station, June 15 1815, term expiered. – See Pension Case.
52: Adams, Abner, Recruit
Organization: Recruit; US Arty
Birth Place: Pepperell Mass, Middlesex Co.
Enlistment Date: Jun 14 1814
Enlistment Place: Groton Mass
Enlisted By: Lt. Hobart
Remarks: R.R. June – 1814 -
53: Adams, Abraham or Abram, Private
Organization: 5 US Regt
Description: 6’2”; blue eyes; dark hair; fair complexion
Occupation: Farmer or Carpenter
Birth Place: Cheraw S.C. Dist
Enlistment Date: Jul 8 1814
Enlistment Place: Lancaster S.C.
Enlisted By: Capt. R. Campbell
Enlistment Period: 5 years
Remarks: R.R. July 30th 1814 – I.R. Capt. R. Campbell’s Co. Washington City, Feby 11/15, Absent at Bottom Bridge, Va – D.R. & I.R. Capt. Benj. Birdsall’s Co. Belle Fontaine, Dec. 30th 1815, I.R. Feby 29, April 30, June 30, Aug. 31, I.R. & S.A.M.R.. Dec. 31st 1817, & I.R. Feby 28 & April 30th. On command at Belle Fontaine – I.R. & S.A.M.R. Belle Fontaine, Mo. June 30th 1818, Present – sick in [gas] – I.R. Capt. J. McGunnigle’s Co. Aug. 31st 1818, Preseent – I.R. Oct. 31 & Dec. 31st 1818, On furlough – S.A.M.R. Capt. L. Gantt’s Co. Dec. 31st 1818, I.R. Feby 28 & April 20/19. On furlough – Mo. Ret. July 1819, Discharged, July 8th 1819. – Discharged at Franklin, Mo. [Ty], July 3/19, to take effect July 8/19, term expired – See Pension Case.
Description: 5’11”; blue eyes; brown hair; light complexion
Birth Place: Pittsfield Mass.
Enlistment Date: Jany 28 1813
Enlistment Place: Burlington Vt.
Enlisted By: Capt. V.R. Goodrich
Enlistment Period: Jany 27 1818
Remarks: Capt. Sam’l Gordon’s Co Book 1813, Mustered in Co. from Lt. V.R. Goodrich’s Co. June 30/13 – M.R. Capt. V.R. Goodrich’s Co. Dec. 30th 1813, Feby 28 & S.A.M.R. June 30/14. Present – M.R. Aug. 30th 1814. In Gen’l Hosp’l, wounded July 25 or 26th 1814 – I.R. Capt. Jno. Bliss’ Co. Sackett’s Harbor, Nov. 1814, I.R. & M.R. Dec. 31st 1814, D.R. Feby 16, I.R. & M.R. Feby 28, & May 15th 1815. Joined Oct. 26th 1814, by consolidation & absent in Hosp’l at Williamsville or Greenbush – I.R. Lt. H. DeWitt’s Co. 6th U.S. Infy, Sackett’s Harbor, June – 1815. Dropped May 11th 1815 – Book 518 – Discharged at Greenbush, March 30th 1815, of wounds – wounded in right knee, at Bridgewater, July 25th 1814 – 11th U.S. Infy was made 6th after May 17th 1815.
54/2: Adams, Alexander, Private
Organization: 24th US Infy
Enlistment Date: July 28/12
Enlistment Period: 5 years
Remarks: M.R. Dec. 31/13, Left sick at Buffalo, since Nov. 30/13 – Died sometime in Dec. 1813 – See Pension Case.
55: Adams, Alex’r, Private
Organization: 26th US Infy; Capt. Swearingen
Enlistment Date: July 13 1813
Enlistment Period: 1 year
Remarks: S.A.M.R. Sackett’s Harbor, Dec. 31st 1813, Present – sick – S.A.M.R. Capt. Kinney’s Co. 25th Infy June 30/14, J’d Feby 28/14, Remarks: from Capt. Swearingen’s Co. 26th Infy. Discharged June 20/14. Co. Book 1812 to 1814, Died Dec. th 1812.
56: Adams, Amajiah, Private
Organization: 9th US Infy; Capt. Chester Lyman
57: Adams, Amos, Private
Organization: [8th] US Infy; Col. P. Jack
Description: 5’11 ½”; black eyes; black hair; dark complexion
Birth Place: Briar Creek, S.C.
Enlistment Date: Nov. 22 or 26 1813
Enlistment Place: Georgia
Enlisted By: Lt. Gresham
Enlistment Period: Nov 2 1818
Remarks: M.R. Jany 31st 1814 Present – I.R. Capt. F.B. Warlay’s Co. Camp Huger, Ga. Nov. 30th 1814, Absent at Savannah sick since Oct. 25th 1814 – I.R. Camp Flournoy, Ga. Jany 10, D.R. Feby 16 & I.R. Camp Flournoy, Ga. Feby 28th 1815. Present – D.R. Lt. J.H. Mallory’s Co. 7th US. Infy Nov. 30th 1815, Present – I.R. & S.A.M.R. Capt. R.H. Bell’s Co., Ft. Hawkins, Ga. Dec. 31st 1815, I.R. Feby 29 & I.R. & S.A.M.R. June 30th 1816. Present – I.R. Capt. J.F. Corbaley’s Co. Ft. Crawford, Aug. 31. Oct. 31, I.R. & S.A.M.R. Dec. 31st 1816, I.R. Feby 28, April 30, I.R. & S.A.M.R. June 30, & I.R. Sept. 1st 1817. Present – I.R. Ft. Scott, Ga. Feby 28th 1818. On command – Orders dated Fort Gadsden, July 3rd 1818. Transferred from 5th to 3rd Co. – I.R. Capt. J. S. Allison’s Co. Ft St Marks, Aug. 31st 1818. Joined by transfer from 5th Co. & on command at Fort Gadsden – I.R. Ft Hawkins, [???] Oct. 31st 1818, Rect’g – I.R., S.A.M.R. & Mo. Ret. Ft St Marks, E. Fla. Dec. 31st 1818. Discharged, Nov. 21st 1818, term expired – 5th US Infy was made 4th after May 17th 1815. – Discharged from Capt Jno. R. Corbaley’s Co. at Fort Hawkins, Nov. 22nd 1818, term expired – See Pension Case.
58: Addison, Allen B. or Alex B., Ensign
Organization: [15th] US Infy; Col. Richard Dennis
Remarks: Mo. Rets. Ft Johnson, SC, April 8, May & June 1814, at Fort Johnson, S.C. on duty, not properly attached to any company – I.R. Capt. Wm A. Remarks: Blount’s Co. Ft Johnson, SC., Aug. 31, R.R. Sept, Oct 23, I.R. Oct. 31, R.R. & I.R. Dec. 31st 1814 & Roll Jany 22nd 1815. Joined from late Capt. Robeson’s Co. at Ft Johnson – Recruiting in S.C. since Aug. 21st 1814 – I.R. Ft Johnson, S.C. March 28th, & I.R. Capt. Wm Tisdale’s Co. May 1st 1815. Present – I.R. Capt. Wm O. Taylor’s Co. June 30th 1815, Discharged, June 30th 1815 – Borne as 3-Lieut. Aug. 31st 1814 & 2nd Lieut. from Sept. 1814.
59: Aggus, Abner (Argus, Aggust), Private
Organization: 2nd US Infy; Capt. Robert Purdy
Enlistment Date: Apl 22 1805
Enlisted By: Capt. Hooks
Remarks: Co. Book 1805 to 1807. Present at Pittsburgh, April, 25th 1805 – Capt. Jno. Campbell’s Co. Book. Joined Co. Sept. 24th Remarks: 1805. – Present at Fort Adams, Nov. 8th 1805 & April 24th 1806 – at Natchitoches, Oct. 16th 1806, at New Orleans, Dec. 2th 1806 & April 2nd 1807 – Drummer – Deserted from Mississippi, June 7th 1807 – Tried by Ct Me at N. O. in Capt. Nicholas’ Co. 7th U.S. Infy May 27th 1813. Selling whiskey…
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Emma Marie Louise Cécile Lajeunesse (Dame Emma Albini) at five years of age in about 1852.
She was also a harpist, pianist and teacher. Her birth date is commonly believed to be November 1, 1847 , although some believe she was born in 1848 or 1850. Emma was my fifth cousin, twice removed, as she was the fourth great granddaughter of my 7th great grandfather, Jean Jacques Labelle (1682-1748) of Île Jésus (Laval), Québec, Canada.
Emma was the first Canadian singer to become internationally known and sought after. She performed operas composed by Bellini, Mozart, Rossini, Donizetti and later, Wagner. Her audiences included such luminaries as Queen Victoria, Csar Alexander II, and Kaiser Wilhelm I.
Dame Emma Albini on her tours of Europe and North America, where she sang for Queen Victoria, Kaiser Wilhelm I and Csar Nicholas.
Emma Lajeunesse’s parents, both musicians, recognized their daughter’s wonderful talent very early. Although she studied first with her mother, her father took over her training when she turned five. He was a great musician in his own right and was skilled with the harp, violin, organ and piano. Her practice schedule was very busy and strict, in which she dedicated up to four hours a day. In 1856, shortly after his wife died, Joseph Lajeunesse was hired to teach music at the Religious of the Sacred Heart Convent in Sault-au-Récollet (Montréal), where Emma and her sister Cornélia (nickname Nellie) were boarders.
Autograph of Queen Victoria and other royals from Dame Emma Albani’s autograph book.
Emma attended from 1858 to 1865, and her talent was evident to the convent’s nuns, who were forced to bar her from the convent’s musical competitions so other children had a chance of winning.
At eight years old, Emma performed her first concert on September 15, 1856 at the Mechanics’ Institute in Montreal. The critics were amazed, and recognized her as a prodigy. She also sang in Chambly, Saint-Jean (Saint-Jean-sur-Richelieu), L’Assomption, Sorel, Industrie (Joliette), and Terrebonne, all in Québec.
Dame Dame Emma Albani in costume for her role as Amina.
Unable to finance a musical education in Quebec, where singing and acting were considered unsavory careers for a woman, Joseph Lajeunesse attempted to raise sufficient money to send her to study in Paris.
In 1865, Emma’s family moved to Albany, New York, stopping at several towns, including Saratoga Springs and Johnstown, where Emma and her sister performed. She became a popular singer in New York, and managed to save enough money for her studies.
Dame Emma Albani in costume for Violetta.
In Albany, Emma was hired as soloist for the parish church of St Joseph, where she worked three years singing, playing the organ, and directing the choir. She also worked at composing scores, as well as musical pieces for harp, solo piano and two pianos.
With her father’s savings and financial assistance from well-wishers and parishioners, Emma was able to go to Paris to study at the ‘Paris Conservatoire’ with Gilbert-Louis Duprez, the famous French tenor. Not long after her lessons with him began, Duprez was heard to say about Emma, “She has a beautiful voice and ardor. She is of the kind of wood from which fine flutes are made.”
At the suggestion of her elocution instructor, Signor Delorenzi, she changed her name to the simpler Emma Albani, which sounded more European and happened to be a very old Italian family name. The closeness in sound of her new surname and ‘Albany’ in New York pleased her, as she had been treated so well there.
Emma continued to study in Milan, Italy for a year and with the assistance of eminent voice teacher Francesco Lamperti, she learned solid technique and, along with her rigid discipline, was able to maintain good vocal health. These techniques enabled her to perform a range of roles from light to dramatic.
Dame Emma Albani in 1899.
Emma’s funds diminished, and although she was not yet finished her training, she began to look for work during the 1869-70 season to help support her schooling. She found a position in Messina, and her operatic debut was on March 30, 1870, playing Amina in Vincenzo Bellini’s La Sonnambula. Her debut performance was very well received and she later stated, “I was literally loaded with flowers, presents, and poetry, the detached sheets of which were sent fluttering down in every direction on the heads of the audience; and among the numberless bouquets of every shape was a basket in which was concealed a live dove. They had painted it red, and the dear little bird rose and flew all over the theater.”
From the time of her debut in Messina, she realized that to portray historical characters, it was not enough to sing well and made a point of visiting museums and reading extensively.
She returned to Milan after her contract in Messina had expired and resumed her instruction with Lamperti. Meanwhile, more work offers began to pour in, including a role she accepted in Rigoletto, which was being performed in Cento. Other roles followed in Florence and Malta, with parts in Lucia di Lammermoor, Robert il Diavolo, La Sonnambula, Il Barbiere di Siviglia and L’Africaine.
After performing in Malta in the winter of 1870 to 1871, she auditioned for Frederick Gye, manager of Covent Garden in London. He was so impressed with her abilities, he signed her to a five-year contract. Before her London contract was to start, she returned to Italy to complete her studies with Lamperti.
Albani arrived in London in the spring of 1872 and her first performance under her contract was on April 2, 1872 at the Royal Italian Opera (the name taken in 1847 by Covent Garden in London) and was a great success. She was the first Canadian woman to perform in this opera house and would perform there until 1896.
Emma continued to perform in various roles and venues throughout Europe, Russia and the United States over the next five seasons. Her performances included that of Ophelia in Hamlet and the Countess in ‘The Marriage of Figaro’.
Queen Victoria later requested a private performance from Albani, who traveled to Windsor Palace in July, 1874 to perform “Caro Nome” from Rigoletto, “Ave Maria”, “Robin Adair”, and “Home, Sweet Home”. This was the first of many occasions on which Albani would perform for monarchs and other dignitaries, but it was also the beginning of a friendship and the two women would visit each other regularly until Queen Victoria died in 1901. Albani would also sing at the funeral of Queen Victoria.
Letter from Queen Victoria to Dame Emma Albani.
Emma Albani toured the United States in the fall of 1874, visiting Philadelphia, New York, Boston, Baltimore, Washington, Chicago and Albany.
In November 1874, Emma went on tour in the United States, where she performed her first role in a Wagner opera as Elsa in “Lohengrin” at New York’s Academy of Music. Her repertoire grew over the years.
After 1876, Emma’s sister Cornélia was always by her side. Cornélia was also a talented pianist and had studied in Germany, later teaching music to the children of the royal family of Spain. Cornélia worked her entire life as Emma’s accompanist and companion, dying soon after Emma.
Mr. Frederick Gye, father of Emma’s husband Ernest Gye.
Emma married Ernest Gye on August 6, 1878. He was the son of the director of the Royal Italian Opera and after his father died in an accident, he took over the position from 1878 to 1885. Their son, Ernest Frederick was born June 4, 1879, became a prominent diplomat and would die in London in 1955.
In 1880, as a result of playing Lucia in “Lucia di Lammermoor” and Gilda in “Rigoletto” at La Scala in Milan, Italy, Emma suffered a setback. The audience was already hostile to non-Italian singers in this theater, but she was not in very good voice, resulting in being unable to impress her listeners. Despite this, her career continued to grow since she performed in cities she had not previously visited.
Caricature from Punch, 17 September 1881: “MADAME ALBANI. A Thing of Beauty is a Gye for ever!”
In 1883, Emma and another singer, Adelina Patti, undertook a long tour in the United States, visiting Chicago, Baltimore, New York and Washington. She also gave three recitals in Montréal, for which appearance more than ten thousand people showed up to greet her, and poet Louis-Honoré Fréchette composed a poem in her honor which he read at a reception.
She remained attached to Canada and toured nine times to perform recitals from 1883 to 1906, traveling from one coast to the other. In1890 Emma performed in two complete operas at the Academy of Music in Montréal, Verdi’s “La Traviata” and “Lucia di Lammermoor”. Albani was always generous to charitable organizations and she supported and performed in a benefit concert in Montréal for Notre-Dame Hospital.
Albani became the first French Canadian woman to perform at the Metropolitan Opera House in New York on November 23, 1891 in “Les Huguenots”. That winter, she was in several other productions at the Metropolitan Opera House.
Albani retired from the Covent Gardens opera, and her final stage performance taking place in July 1896 at the Royal Opera House. To accommodate the changing tastes of the theater’s directors and the public, Emma had to show great flexibility and perform diverse roles. Emma received the royal Philharmonic Society’s gold medal or the “Beethoven Medal” in 1897.
Letter from Dame Emma Albani from her memoir titled “Forty Years of Song”.
Although retired, she still sang in recitals and in 1901 she traveled across Canada, traveling from Halifax, Nova Scotia to Vancouver, British Columbia. She then continued to go on tour in Australia (1898, 1907), South Africa (1898, 1899, 1904), Ceylon (Sri Lanka) (1907), New Zealand (1907) and India (1907). In 1906 she made her farewell Canadian tour. During this period she is said to have recorded nine titles (audio of one follows article) and some have since been remastered and are available today. Her ‘post-retirement’ career came to an end on October 14, 1911 when she gave her last public performance at the Royal Albert Hall in London. That same year she released a book a book of her memoirs, “Forty Years of Song”.
She and her husband retired to Kensington where Emma’s last years were troubled by financial difficulties necessitating that she teach and occasionally perform in music halls. Her circumstances resulted from the war and poor investments, and in concern the British government voted her an annual pension of £100. Word of her difficulties reached Montréal, where “La Presse” sponsored a recital on May 28, 1925 in the Théâtre Saint-Denis. More than $4,000 was collected. Assistance was also sought from the Canadian and Quebec governments, who declined, stating that Albani had become more of a British subject than a Canadian citizen since she had resided in London since 1872).
Postage stamp issued by Canada Post in 1980 to commemorate the 50th anniversary of Dame Emma Albani’s death.
Dame Emma Albani died on April 3, 1930 at her home on Tregunter Road, Kensington, in London and was buried at Brompton, London, England.
During her lifetime, she received many awards, including the gold Beethoven Medal (given by the Royal Philharmonic Society of London) and the Medal of Honour commemorating Queen Victoria’s jubilee in 1897. In 1925 she was made a Dame Commander of the Order of the British Empire.
Of two streets that were named after Emma Albani in Montréal, the first was dedicated in the 1930s, but was later removed when the road was merged with another street, and the second was named Rue Albani in 1969.
Other honors included a postage stamp issued by Canada Post and designed by artist Huntley Brown. It was released July 4, 1980 and eleven million, seven hundred thousand copies of the stamp were printed. She is also immortalized in a stained glass mural at Montréal’s Place des Arts station.
Following is my transcription of the obituary for Carolyn Alma Hodgson (nee Johnson), who died in Cairns, Australia. A memorial service was held in Bethel Lutheran Church in Brush Prairie, Washington on August 27, 1995.
Carolyn Alma Hodgson Obituary
Carolyn Alma Hodgson
A memorial service will be at 2 p.m. Sunday, Aug. 27, 1995, in Bethel Lutheran Church in Brush Prairie, Wash. Mrs. Hodgson died of a ruptured aorta Aug. 19 in Cairns, Australia, at age 52.
She was born March 14, 1943, in Becker County, Minn. Her maiden name was Johnson. She moved to the Northwest in 1957 and graduated from Central Washington State College. She married Donald L. Hodgson on June 18, 1966. They lived in Beaverton, and she taught at Oregon Episcopal School and worked for ‘Timberline Lodge.
They moved to Papua New Guinea in 1982.
Surviving are her husband; sons, Eric of Dallas, Texas, and Fernando of Gresham; daughters, Anaka of Bradleboro, Vt., and Leyla Bartruff of Troutdale; mother Esther Johnson of Battle Ground, Wash; sister, Alice Olsen of Battle Ground; brothers, Stanley Johnson of Arlington, Wash., and Arvid Johnson of Battle Ground; and four grandchildren.
Disposition by cremation.
Remembrances: Lae Hospital Save the Children Fund, in care of Bethel Lutheran Church, 12919 N.E. 159th, Brush Prairie, Wash. 98606.
The image of the obituary for Carolyn Alma Hodgson above links directly to the transcription of the document. You can access sources, data, images and documents for these and other individuals, by clicking on the name link, or searching the Blythe Genealogy database site using the surname search link and the ‘All Media‘ search link in the left sidebar.
It is recommended to search using both methods as the results can differ greatly due to a glitch in the software that doesn’t connect all images from the bio.
All data on this site is available for free access and download.